the 2011 album from statik selektah & action bronson back on clear double vinyl in a limited edition of 500 copies.

sync 24s cultivated electronics rounds off 2018 in style with the from the dark series. 3 x v/a lps showcasing some of the leading lights of modern electro alongside some solid newcomers. focussing on the spookier side of the genre ftd brings in the various shades of darker electro tones from across the globe. volume 1 kicks off the series with with some super dark selections from sync 24 & alienata, australias hottest electro exports of the moment jensen interceptor and assembler code, seattle electro veteran 214, ce newcomer rico casazza, radio matrix boss & tresor resident delta funktionen, caught london sleeping head honcho stratowerx, delsin & clone affiliate versalife and berlin based ce newcomer exterminador.

hailing from nashville, tennessee - a city better known for being the cradle of country music, jaundice and dzee form the backbone to the future dz duo, which has way less to do with johnny cash than with the hague sound, and their latest offering for the label they help co-run, tram planet records, although tracing rings of fire in its wake, further ratifies that lineage.
a shape-shifting collection of post-apocalyptic detroit electro and squelchy acid grooves sieved through filthy filters - perfect to play in your muscle car while speeding the highway at night, splint mask finds the duo at their most epic and unhindered. premiering today through our channels, sawed off is a high-octane 303 fuelled racer blazing with a hint of unit moebius weirdness and off-the-cuff rugged hardware spritz. if you like your electro scruffy, grinding and aggro like we do, future dz have you covered. get in the zone and feel the burn, you’re in for a treat.

coastdream returns to x-kalay with the summer heaters! after over a year’s hiatus and much hard labour in the studio he follows up his hugely successful breakthrough record, soft moon, with the shine ep. picking up very much where soft moon left off, this latest offering is classic feel good coastdream - sun drenched house music inspired by the golden beaches of his native brazil.

the new album from ariana grande on double vinyl, housed in a gatefold sleeve.

raw electro influenced energetic, industrial styled analog techno

yama music return with their second instalment on their own self-titled label, with yet more trippy minimal house music. as with the first record, yama music 002 brings 3 original cuts which are stripped back groove aimed at the dancefloor. the uk based label kick things off with “outstore”, eerie pads sit on top of tight stripped back drums which have a glitchy atmospheric synth adding to the cosmic feel of this record. the b side are two tracks that follow a similar pattern but retain their individuality. the first of these is “who what space”, this track is propelled along with a bone shaking yet infectious bassline, crisp percussion and an otherworldly synth. “who what toms” wraps up the ep with delicate shuffling percussion, a tight kick drum and a sexy bassline ready to make the dancefloor hum. a well placed vocal and a synth that sounds like it’s taken from the starship enterprise rounds off a great return for yama music.

as i m always evolving, every now and again i need to make a point about my latest sound. curveballs has been especially written to showcase the full range of my current sound and features a carefully selected collection of tracks designed for a club environment. riva starr dance musics prolific italian-born london-based sharpshooter riva starr set to release fourth artist album curveballs via adam beyer s revered truesoul records. riva starr has been shaking up the world of dance music with his eclectic and unpredictable palette of sounds and styles for over a decade. over the years, he has racked up numerous accolades and achievements including releasing 3 acclaimed albums (if life gives you lemons, make lemonade in 2010, hand in hand in 2013 and definition of sound in 2016), having a myriad of single/ep releases on some of dance music s most established labels (snatch! records, hot creations, relief, crosstown rebels, dirtybird) and amassing an impressive remix resume of artists including audion, groove armada, dennis ferrer, usher, estelle, london grammar, fatboy slim, reboot and david morales. with all of this success and experience under his belt, the time has come for the talented italian to deliver his much awaited fourth long-player, curveballs comprising of 12 stellar tracks inspired by current club sounds and old school music elements, driven by starr s endeavor to produce music that stands the test of time. the lp s striking opener, always gets things underway and sets the tone with its powerful house groove, warm chord stabs and divine soulful vocal courtesy of legendary house diva jocelyn brown. elsewhere, there s the funk-driven disco-tinged piknik, the uplifting needin u esque disco loco, the dark and commanding the hole (release your soul) and the pounding peak-time synth-laden roller give me love. other highlights include, the infectious breakbeat workout britcoin, the techy electro-tinged fresh and the experimental synth-driven techno gem analhog. the album concludes with 3 fine cuts in the form of the bass heavy tr-909 laden ride, the funk-fueled house groover mantra (early in the morning) and an exclusive deep-house-esque dub version of give me love to round off yet another essential long-player from one of dance music s much-loved artists

die größten hits aus thomas gottschalks 68er show im zdf. das doppel-vinyl erscheint im klappcover

this is a reissue of a short-lived and obscure uk dance music label. a compilation of tracks featured on releases across 3 ep’s between 1991 and 1993 incorporating recently emergent dub techno and progressive acid house sounds. nation of noise was conceived in the early 90 s, following a meeting of minds between the producer and ambient soho mainstay django, and vocalist jon martin (of pizzaman fame) at the legendary soho institution: the brain. plate 1 is a fully remastered reissue of the first nation of noise record - xes noiz, featuring 4 locked grooves. plate 2 takes two tracks off both the lockgroove and super bubble ep s. one side is smooth, after-hours deep house whilst the other reaches for two progressive, acid cuts. fully remastered.

a 1982 electro-rap classic back via soul jazz as limited one-off pressing.

new years deal - dresden s lockertmatik starts his engines for the first time on shtum and delivers a string of tracks that seem to come from a not so far away dystopian future. here are four tracks that are unpretentious but elaborate, effective but not overambitious. -break the chains- sets the bars in terms of dark techno bliss for both basements and bigger dancefloors. on -message from the underdog- lockertmatik shows off his knack for acidic perfection while -jaku- gets the jazz treatment. finally, -313 - 0351- is all about building tension without losing one bit of impact on the dancefloor. the artwork comes courtesy of carl-johannes schulze.

mukatsuku kicks off the incoming autumn period with two delicious slabs of dreamy jazzual bliss from spanish artist and multi-talented musician marc friedli aka skymark. both tracks are presented here in a single form for the first time. “flying fantasy” is taken from the “resistance sonore” album on marc’s own label imprint modern sun from 2016 here in an exclusive instrumental version. on the flipside “rhodes e serenidade” is lifted from the “waves from the nucleus” long player from 2015.

the next installment in cold diamond & mink’s soul investigations introduces a three part harmony group from california. “my my my baby” is a smoking hot group harmony groover that should drop a few jaws at your next dj set. thee baby cuffs was born out of love for soul music and chicano culture. their first 45 “where did our pride go”, came out in 2017 on the raza del soul label, covering an unsung early 70’s larry saunders production. “my my my baby” continues on the same lane of midtempo soul over funky drums and soulful horn lines. the lyric is your middle of the road love song material, but the group harmony lifts it right off the ground like it’s meant to happen in this kind of music. get a few copies and rock the instrumental on the b-side before dropping the vocal, if you feel like it. soul music that’s this potent is better enjoyed in excess.

phonogramme, the house subdivision of parent label and integral parisian record shop syncrophone dedicates itself directly to the french music scene, with previous releases from the likes of professor inc, john jastszebski, aleqs notal and a handful of other local heads. phonogramme continues to keep things close-to-home through the labels next edition presented by gibs, who s most notably known for works on his own imprint, an.art records – a family run label with music shared by himself and his two brothers. find an oasis kicks off the release with rolling organic percussion before progressing elegantly into layered emotive lead synths and mellow bass stabs. jarkarta is a subdued deeper house cut, filled with an uplifting, undulating melody and raw lo-fi elements collectively creating a luscious calming effect. last up, der germain offers up a fluid, groove filled number balanced with charming, jazzy flutters and tender keys providing a warm, breezy atmosphere to the end the release.

berlin based techno titan frank muller adopts his beroshima alias for a new four track ep that is already been hailed by the likes of marcel dettman and laurent garnier. first emerging in the nineties, muller has since become a techno great who has played from asia to south america and beyond. he’s had plenty of underground hits on the likes of cocoon and soma, and held some key residencies over the years. always one to command your attention with his multi layered grooves, this ep features an old juan atkins sample “buy some shit from detroit” that has been part of beroshima’s live sets for years. excellent opener ‘encounter’ reflects a recent idea jeff mills and muller had to produce tracks together for a not yet produced sci-fi movie. it is an eight-minute astral techno trip with smooth, driving drums and plenty of intergalactic synth lines. ‘the passion of lovers’ transfers the organic beroshima style into 2018 and shows off frank’s passion for spaced out electronica. it’s a brilliantly bumping cut with lithe synths and melodies adding that soul and colour as it races through the galaxies. the iconic ‘buy some’ with the atkins sample then surges into the future with icy hi hats dancing over rubbery drums. the warped synths take the lead and bring a real sense of off kilter energy to this most timeless bit of techno. last of all is the fantastic space mix of ‘encounter’ which is dreamy and cinematic with exquisite keys and pads colouring in a huge night sky as the drums drive things along. this is an archetypal techno ep filled with cosmic colours and serene emotions.

neil landstrumm began producing in the early 90s after moving to edinburgh from inverness. initially producing within a variety of groups often with christian vogel, he began his solo production in 1993 influenced by the sheffield school of bleep as well as electro and miami bass. landstrumm s unique sound soon caught the ears of a wide variety of some of the worlds finest electronic labels and he went onto record for tresor and planet mu as well as his string of ep s and album for peacefrog. his playful sense of humor and penchant toward unpredictable song structures and bizarre sounds have continued to offer humour in a world often dominated by serious minimalism. threesome features landstrumm s three peacefrog ep s originally released between early 1995 and 1996. highlights include the minimalist chicago jack track takks, dancefloor destroyers such as swing / jerk and blam the target, along with the off kilter raw stomping funk of sniff and destroy. to this day landstrumm remains one of the true innovators in uk techno.

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

up next on phonicas main label we present harrison bdps life unlimited 12inch. over the past few years harry has burst onto the scene with a prolific run of releases for labels such as lost palms, piff and music is love, displaying a wide-ranging sonic palette whether it falls under classification as house, techno, electro, garage... or whatever else he turns his hand to! the 12inches lead track life unlimited starts off as a euphoric italo-flavoured piano-house banger before breaking down into a bleep-tastic middle and back again. it hits all the right spots and will no doubt tick all the boxes for djs looking for a sure-fire peak-time jam! on the b-side the music takes a deeper turn with the immaculately produced dub-techno of fish in the tank which is then followed by the stunning uk garage inspired its all good - this one gets seriously under your skin! its rare for a producer to nail such a variety of different styles on a single record, yet we feel this 12inch truly underlines harry’s versatility yet still displaying his signature sound. three very different tracks, all recognisably harrison bdp.

people plus are cz wang and joli b., signaling from a studio and or hut in some remote location. their debut ep consists of three trips into time in just as many styles. side a belongs to olympus mons, a song as big as the mountain its named from. snake charmer synth lines and vocal roars backed by the baddest rhythm section in a while wait for the solo! the b side holds work it out, with broken 4-off-the-floor drumz and revving echo effects. taking the coveted b1 spot is the always dancefloor smashing second cycle - a verified banger that opens up with ground shaking acidish filter bubbles, and closes somewhere way up above the clouds.

dcs dreamcast continues to effortlessly flow across 7inch wax, following his stellar releases on ppu. he goes in again for future times, with max d on production. outer space is a wistful electro cruiser and up 2 u gives off visions of walking home really early in the morning, confused and happy.

remastered reissue of one of the rarest boogie-funk oriented italian releases : matakena a one-off italo boogie studio project from the same producers behind kano. the plus on this one is the instrumental version of aphrodisiac that for strange reasons wasnt available on the original release.

originally pressed on a now very hard to find 7inch, this gem crosses over the dub with disco with the rock and the wave. more talking dreads than heads. dug out for mfm by satoshi yamamura. comes with original dub mix and new remixes. mfm 030 sees music from memorys reissue of the self-released and sadly one off 7inch single amerikan dread by victor davis aka victor

motorcity wine recordings returns in fine style with its second ep featuring a swashbuckling blend of house and jazz sounds from detroiters and their compatriots. rising live techno star haz mat leads this 12” with a house-tinged boogie funk cover of blue six’s “music & wine”, complete with vocoder and massive drums. kuumba reunion band slides through next with the afro-jazz number “3 fingered fist (jabbar)”, a cut loaded with hand drums and chunky saxophone solos for the jazzdancers and listeners alike. motorcity wine guest and london native aroop roy kicks off the flip with a dubbed out beatdown house joint, a brilliant midtempo track perfect for the dread moments of the night. last but certainly not least, the hughes/smith quintet finish the release with an uptempo jazz-funk piece, with generous amounts of fender rhodes and call-and-response melodies. only 500 vinyl pressed enjoy the soulful sounds of detroit.

coming off the acclaim of pablo — designated by pitchfork as “best new music” and a candidate for the song of summer 2018 — greene drops a three tracker for ghostly’s spectral sound imprint that finds him in fine form.

crotocosm is an occasional collaboration between jordan gcz (lushlyfe, off minor) and willie burns (black deer, wt records). tracks were recorded together live in amsterdam and brooklyn between 1996 and 2017 its a tip!

touch of loft wax 002 see’s label head nathaniel garry step out on the a-side with a club ready deep house dj tool. jacking percussion lays a solid groove as electric piano chords and deep pads set the mood, topped off with chopped up vocal samples to get the crowd pumping. london’s timothy clerkin serves up an ebm rave for his remix on the b-side, with a thumping kick drum and arpeggiator bassline sitting under twisted and warped vocals from the original. grab it. pop it in your dj bag. with the a-side for the warm up and the b-side for the peak time slot.

sound society publishes its first reference with great enthusiasm. on side a we have the deeper house sound from etur usheo with very sticky chords which will be staying in your head once you hear them. on side b our young artist shows off his most underground side of house, with kick beats that will make you tremble and using classic house shades.

ron trent & trinidadian deep present the new label native rebel music. sonic love & compassion is expressed through the energy of trinidadian deep with the jazzy musicality of native travels, lights off & native force. deep pads, chords & percussion throughout

limited edition of 500 numbered copies on 180 gram vinyl.
easily comparable to the vaste number of movies from the erotic-dramatic genre popular between sixties and seventies, alessandro fallay’s le altre - a pretty much unknown director of iranian origins - boasts an amazing soundtrack from the unforgettable piero piccioni, one of the acclaimed masters of the genre. the album moves between easy listening atmospheres to jazz and lounge, among roma and cinecittà’s summers parfumes. everything topped off with woods, hammond and guitars.

dutch duo deep dimension debut on rekids with a stomping vocal cut entitled ‘so 1992’ featuring a collaborative remix from label founder radio slave and rising star p.leone. jeffrey hek & jimmy van de geijn have been actively djing for over two decades. the pair paired up as deep dimension in 2015, combining their talents to form a signature techno sound comprised of deep basslines and powerful kicks. launched earlier this year, their vinyl label named gen x has instantly picked up overwhelming support from the likes of radio slave, tommy four seven, benny rodriguez, kobosil, and many more. they now continue their upward trajectory by arriving on matt edwards’ respected berlin based imprint, rekids. thudding kicks are joined by rising synths as pitched up vocals come into play in ‘so 1992’– the result is a rave inspired techno monster designed to throw crowds into frenzy. on the flip, radio slave pairs up with rekids regular p.leone for a cavernous reimagining complete with rolling percussion, off-beat hats and eerie atmospherics.

g. markus - recently revealed as ben gomori of monologues records and sterns edits—returns with the fifth volume of his vinyl-only edits series. ‘lifted is a joyous, vocal chopped bumping edit, manipulating and filtering those gospel flavoured samples into a raucous, hands in the air feel good anthem, tied behind a gritty no-nonsense beat. flip it over and panties hits you with a wobbly party jam, full of exuberant guitar licks, fizzing hats and funked out bass riffs - sure to get the heart racing from the off. two killer edits once again from the g-edits camp! dj support: disclosure, hercules & love affair, soul clap, karizma, shadow child, marcel vogel, auntie flo, till von sein, roger sanchez, danny tenaglia, richy ahmed, moon boots, sacha robotti, droog, kraak & smaak, horse meat disco, meggy, kristin velvet, terry farley, hernan cattaneo, mark farina, piek, danvers, coco cole, dom servini, kiko navarro

kicking off the first of two tracks by sondrio night train is smooth and subtle, this melodic low slung groover is made for those warm summer days. the deep tones give the low end just enough attitude to get those boots knocking. give it like is punchy and upbeat, sondrio gives you a dance floor weapon that ll have the punters up in arms. his signature low end notes drive this record with vocal stabs that will fit in any set. first up on b side ant larock drops another groovy house number better think with a mesmerising vocal laid on top of nothing but luscious chords. summer needs records like this, it s what memories are made of. ant also delivers pleasure that feels like a good dj tool perfect to break up those disco vocals with choppy chords, swinging drums and a cheeky vocal to match. house music at its finest.

for our second release of 2018 ears have eyes are back with the third instalment of our throng of orbs compilation series. this time around we welcome back old friends, and bring in some new names to the ehe fold, with a collection of tracks spanning deep emotive house music, broken beats and acid dancefloor pressure. first up we have contours, who burst onto the scene in 2015 with an excellent release on the mighty rhythm section, and has put out a slew of great records since then. dither takes time to unfold, but when the fluid acid line emerges from the heady percussion he really sets up the track for dancefloor perfection. for the a2 we welcome back chocky to the label, and he serves up a slice of weighty house music that drips quality and emotion. pickle dat kicks off with an absolute beauty of a groove, understated but weighty, and from there chocky goes on to sprinkle just the right amount of seasoning, with soulful rhodes licks and a wonderful bass line. off the back of their excellent 12- on love on the rocks, elles x violet kick off the b side with yrnyb, a tried and tested dancefloor destroyer. when we heard elles playing this in a dark basement in peckham, we just had to sign it. sometimes a kick drum, an acid line and a half heard vocal is all you need. finishing off the release we have dublin artist replete serving up a lovely slice of hazy, percussive house music that slowly builds to a crescendo. an acidic bassline sits nicely over congas and a warm, rounded kick drum.

luv shack records 26th release marks the return of vienna based artist and label regular lesale. the baguette magique ep packs three punchy original tracks plus a remix by deep disco don and vienna resident roman rauch. first off, there s the original version of baguette magique , an uplifting dance opus carried by a tantalising disco sample, a plethora of bleeps and synthetic patterns, evolving into a cosmic, almost-techno piece in the second half. roman rauch s remix takes out the tempo and the quirkiness of baguette magique , instead opting for a laid back 80s tropical groove, turning the original theme into an insanely deep and obscure chord sequence. on the flip, lesale takes things to disco territory with percussive drums, a cheeky filtered sample and a hyperactive synth bass sequence on house rules . jungle breeze wraps up the release, offering a hazy mix of deep pads, tribal drums and oddball flute samples.

divine situation are, greg belson is a veteran dj and one of the premiere collectors of soul music worldwide. he s known as the go to authoritarian for gospel soul music, is the compiler of the divine disco series on cultures of soul and presents his radio broadcast divine chord gospel show on la s dublab.com creative hub. and paulo fulci is a dj and producer out of bristol uk. his work as part of the situation edit crew has been released and supported as part of the underground for many years….he now spends his days slangin records, whilst honing his disco scalpel skills in the late twilight hours. following on from their incendiary slab of two sided gospel goodness born again & soul revival , the divine situation duo have crafted the next lot of bangin spiritualized dancefloor destroyers for your record box. here we have an ep catering for several sides to your night. the lead off cut is the flat out roof raiser the problem solver …..then it s boogified territory with brand new feelin , before they close out with the end of nighter, try love . once again, moton bringin the heavyweight platters that matter!

singer, songwriter and lifelong fan josé james honors the great bill withers with the september 28 release of “lean on me” (blue note), a loving tribute album that features 12 of the legendary singer and songwriter’s most undeniable and soulful songs in honor of his 80th birthday year. “lean on me” was produced by blue note president don was and recorded in capitol’s legendary studio b with a dream team band: pino palladino (bass), kris bowers (keys), brad allen williams (guitar), and nate smith (drums), along with special guests including vocalist lalah hathaway, saxophonist marcus strickland, and trumpeter takuya kuroda.

korpus 9 records kicks off with a brand new ep from dubspeeka, featuring four tracks of high impact and atmospheric techno. korpus 9 records is a brand new techno label from russia managed by kwazalski. the main aim of the label is to release fresh and innovative material, not only digitally, but also on vinyl. all the imagery and influences of the label come from an abandoned research station that is deep underwater, where unusual events are happening around it on a constant basis. charged with the first release is shadowy bristolian producer dubspeeka, who has put out his music on drumcode, senso sounds and get physical, runs skeleton recordings and has a fierce techno sound. the opener here is garrison, a driving number with heavy drums and a warm but edgy mood. garrison 2 is more spaced out, with celestial pads baring a feeling of suspense above the firmly rooted drums. garrison 3 then has lumpy drums that bob up and down, as acid lines, water sounds and metallic hits all add atmosphere to the cavernous groove. last of all, garrison 4 is an eerie dub techno track with real drive but also plenty of thoughtful emotions. it closes out a brilliant first ep on this exciting new label.

approaching complexity is tangent’s sophomore album release for n5md, a label that has seen accomplished releases from the likes of near the parenthesis, bvdub, and loess among others. throughout its nine offerings, the record features a gorgeous contemplative piano that hangs in the air amidst static clicks and dense atmospheres. its delicate touch feels both melancholic and stirring, as exemplified on tracks “equilibrium i (ii & ii)” and “awaken.” the latter cut is a fascinating work comprised of nearly inaudible whisper-song vocals and swelling ambience, its waves a thick froth of a toppled surf underneath tickled ivory. like the rise and fall of a heavy chest, this sound leads to the track’s conclusion, an elongated departure of breath.
a similar ending can be heard on the track “redundancy” which is complemented by the official video premiering at igloo magazine. jittering frames of concrete grass animations are edited to the rhythmic snippy percussion. this is juxtaposed by images of ice cascading off a rocket launch in slow motion and vapor in reverse. see below.
at almost an hour in length tangent’s new album is their most complete sonically, never straying from its core essence. a quality release that in its nature is both bound to existence and is otherworldly in its simplistic beauty.
the orange vinyl release features 6 tracks and includes a doanload code for the full 9-track album.

victor simonelli opens up the vaults once more to unlock groove committee s dirty games , the follow up to the seminal i want you to know . taking the blueprint from his timeless house classic, simonelli reworked the bassline for this 92 follow up whilst holding onto that sublimely simple yet powerful chord progression, one that never fails to put a smile on the face. add in a helping of swung hats and crunched up shakers and this is a classic by anyone s standards. the vocals - a charged up, evocative warning to a mistreating lover - fit the nyc garage house rhythm so perfectly and deliver a raw emotion to the track. next up the dubb mix kicks off with the accapella vocals laid bare in all their glory, before that piano progression lays the path for the full force of dirty games to make its impact. there s more space between the vocals in this dub mix, allowing simonelli s production prowess room to breathe. a surefire spine tingler from start to finish. on the b side, simonelli offers up his 1993 re-edit, extending, elongating and beefing up certain elements to captivate audiences all over again. closing out the e.p. is groove committee s 93 track i wana hold you produced in collaboration with glenn sweety g toby - it follows that same garage house shuffling rhythm, with soul-laden organs and paula brion s killer vocals. another much welcomed reissue of some of victor simonelli s most sought after tracks, remastered by the man himself for a new generation of listeners.

dancing with fireflies from sanderson’s second long player urban mosaic gets the treatment courtesy louis haiman, minimal states and off land. louis once again shows his flare for soulful detroit influenced tech, putting a fwdthought spin on sanderson’s original arrangement. minimal states leaves an equally strong mark with his rich idm techno flavoured rendition. stasis recordings stalwart, off land, reworks just beyond into a gorgeous piece of chill out bliss.

the first studio album of the albanese duo i tpame i tvrame “ikin vijne&#776,,” is a catching, surprising and innovative masterpiece work composed of 10 new songs where they shown how noise can be dominated. if you follow and likes projects such as november no&#776,,velet, portishead, tropic of cancer or not waving, more than likely this album will be a highlight of your collection. it will be presented on double 12&#8243,, ep format and produced in a one-off truly extra limited edition of 200 copies lacquered pressed on 140 gram high quality solid black vinyl. all tracks have been specially mastered and remastered for long cut vinyl by eric van wonterghem.

this is cliff music: a berlin based label spreading and supporting the many facets of house music. the mission is to give talented producers and friends a stage to share their vibes with the world.
cliff music kicks off with a four-tracker featuring the aussie slamb, french boys vitess & mangabey, and last but not least leipzig’s finest, luvless. the a-side starts with a melodic summer anthem “minor secret” by mangabey, followed by slamb’s house-driven disco bomb “why stop now”. on the flip side, luvless provides wobbly synthesizers over crunchy drums and grooves. vitess closes the ep with a 90’s and 2step reminiscing dancefloor hit.

perc trax slips out its first cheeky white label in over two years, pulling together two secret weapons from perc’s sets this year. first off perc trax newcomer tymon rips into perc’s own “hyperlink” giving it a shot of adrenalin which has been eating festivals alive all summer.
on the b-side ansome returns to perc trax for the first time since in infamous british steel release twisting manni dee’s “london isn’t england” into a grinding mass of kick drums and percussion, layering ewa justka’s vocal over one of his rawest productions to date.

the first release by hamburg based label ohne kommerziellen wert delivers a diverse mix of four tracks by various artists. haiko nahm’s uplifting eos is a positively charged euphoric roller that stands in stark contrast to the dark and hypnotic stomping of ls’s kngbtdgsf. the b-side kicks off with the ravy trance-like sound of valura’s cool cassis, and it’s all topped off with lifka’s next-level acid bomb 1353.

limited edition of 150 hand numbered copies with screen printed artwork.
this is what happened when keimpe koldijk (one half of bebe fang) and wouter venema (musician and visual artist) locked themselves up during the summer 2011 in a 14th century church in the village of blessum. this frisian village, in the northern part of holland, consists of less then 100 inhabitants. in this tranquil and withdrawn environment the musicians recorded their improvisations on the church organ (which is the second oldest in europe)... accompanied with subtle electronics and a few other instruments... the result is a stunning experience of free spirited music ... meditative soundscapes, lo-fi ambient music and drones including accidental recorded sounds of the surroundings during the sessions... all of this has a charming lo-tech and -live- feeling which only enhances the listening experience... turn off the lights, light a candle (or a few), lie down and let go.

following up on the massive worldwide success of their debut album 55, bacao rhythm & steel band is back with another heavy duty offering. picking up where they left off and incorporating a ton of new recording techniques they take a huge step forward with the serpent’s mouth. named after the eight-mile strait between the island of trinidad and the coast of venezuela, the serpent’s mouth is a journey through both originals and covers, combining classic elements that wide-eared music fans already know, and mashing them up in new and unique ways.

with the release of this ep ,influential parisian producer d’julz establishes the launch of new label jv in collaboration with highly esteemed french yoyaku team. jv is set to evolve with d’julz showcasing his own productions while bringing in masterful talents to collaborate, and with the music policy being very much open, it’s guaranteed to be a consummate source of electronic music. this two-tracker ep kicks off with ‘chaplin bong’, a euphonic groove-packed house cut that is sheer liquid perfection evolving with a combination of dubby techno stabs penetrating a rolling disco bassline. ’j’y vais’, which translates to “i go”, is a deep and bass-heavy old school track that’s hewn from chicago influences. apropulsive, sheen-polished dancefloor gripper.